REVIEW: The Essential Peanuts

2 weeks ago 11

The Essential Peanuts
By Mark Evanier
336 pages/Abrams ComicArts/$75

I was growing up during Peanuts’ peak period, the 1960s-70s, and you couldn’t go anywhere without seeing images of the gang. Yes, I bought some of the Fawcett paperback collections from the Bookmobile and was thrilled that Apollo 10’s command capsule and lunar module were named Charlie Brown and Snoopy.

I was also overwhelmed by the ubiquitousness of Snoopy, who easily eclipsed the humans and was on t-shirts, a Thanksgiving Day parade balloon, lunch boxes, and so, so much more. I didn’t fully grasp the genius of Charles M. Shulz’s work until much later. It wasn’t my favorite strip, yet I read it every day, and I still do in the Classic Peanuts strip.

As a result, I was delighted to see this 75th anniversary overview of the strip and its global influence, along with the simplicity of Shulz’s linework. I learned about him from the recent Funny Things: A Comic Strip Biography of Charles M. Shulz and learned even more in this handsome collection.

The mammoth hardcover traces Peanuts in two ways: a 75 Essential strips, with commentary and supplemental strips; and a chronological exploration of the strip’s evolution, broken down by decade. As a result, you get some 700 daily and Sunday strips out of the 17,000+ he wrote and drew. One of the things that set Schulz apart from his peers was that he never, ever used assistants; he wrote, drew, and lettered each and every installment. That alone is worthy of celebration.

In Evanier’s clear-eyed prose, we see which new concepts or characters were introduced, which ones freshened, and which ones faded with time. Among the first casualties, for example, are Shermy and Patty, who were there on day one but were reduced to occasional background players within a year or two. We can see the rise of Snoopy’s sentience and then his playfulness as he turns his doghouse into a Sopwith Camel airplane, and how good ol’ Charlie Brown doesn’t quite know what to do with the newly arrived Peppermint Patty’s interest in him.

To me, the strip hit a crescendo in the late 1970s and then began a gradual decline, one that took the next 20 years to wind down. In the final years, health problems caused the steady line to wobble, the characters getting somewhat cruder, while the heart never left.

Accompanying Evanier are celebrity quotes drawn from Fantagraphics’ complete collection of the strip, as well as new sidebars written by translators and editors, who round out our understanding of the strip and its creator.

There is a second volume in this slipcase, filled with facsimiles of fun memorabilia that may bring back a memory, as it did for me, or just a smile. That’s all Shulz wanted from his readers, and he delivered daily for some 50 years, a totally remarkable accomplishment from the most unassuming of people.

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